Tag Archives: Ramrod

Gay History - November 19, 1980: The NYC Ramrod Shooting.

Gay History – November 19, 1980: The NYC Ramrod Shooting. 2 Killed, 6 Injured In Hate Crime Murder Spree

On the night of November 19, 1980 Ronald Crumpley 38,  a former Transit Authority policeman and son of a minister, spent the evening cruising the streets of New York’s Greenwich Village in his father’s stolen blue Cadillac. He fired three shots from an automatic handgun at Sim’s Deli shortly before 11:00 p.m. wounding at least three people and shattering the front plate glass window. Minutes later, he drove to Christopher Street and stopped in front of two gay bars, Sneakers and Ramrod, which were next door to each other on the West Side Highway (West Street).

According to witnesses Crunpley waited about two or three minutes in front of the bars then drove around the block, returned, stepped out of the car calmly, walked up to the curb and shot a man standing on the curb waiting for a cab. The man fell to the ground, then he shot another guy who ran around the corner. He then started spraying both bars through the plate-glass windows with an Uzi machine gun. Then he got back into the car and drove off.” 

After Crumpley drove off, he stopped again at 10th Street and Greenwich Avenue not far from The Ninth Circle and fired eight more shots at another group of men. This time his shots missed, and as police cars approached he sped away. As many as 15 police cruisers chased Crumpley to Broadway and West 10th Street, where Crumpley abandoned the Cadillac. Officers found him trying to pull himself up underneath a parked van’s undercarriage.

All told Vernon Koenig, an organist at Greenwich Village’s St. Joseph’s church, died on the operating table at St. Vincent’s Hospital. Jorg Wenz, Ramrod’s 21-year-old doorman, died soon after surgery. Rene Malute, 23, was in intensive care, and five others were admitted in stable condition.

Thousands visited the site of the Ramrod attack in the following nights leaving flowers and remembrances. But the attack itself was barely mentioned in the news media.

Crumpley was arrested and charged with murder, attempted murder, and possession of illegal weapons. Police found four weapons: a .357 Magnu, a .45 caliber automatic pistol, a 9mm automatic pistol, and an Uzi. Crumpley told police that he attacked the bars and the deli because he hated homosexuals. “I want to kill them all,” he said. “They’re no good. They ruin everything.”

During Crumpley’s trail, the prosecution presented 35 witnesses, and the defense five. At issue was Crumpley’s mental state at the time of the shooting. Crumpley’s psychiatrist testified that Creumpley suffered from paranoia. Crumpley himself took the stand and said gay people were “agents of the devil” who were following him continuously. The jury found him not guilty by reason of insanity. He was committed to Kirby Forensic Psychiatric Center on Wards Island.

In 2001, Crumpley’s lawyers petitioned the Manhattan Supreme Court to review the state of his mental illness and pleaded for his release or transfer to a less secure institution.

He was the model of normalcy under questioning from his own lawyer. But under grilling by prosecutor Patricia Bailey, Crumpley described a lingering resentment over numerous men whom he “knew” were gay and who were “attracted to me”. Crumpley adopted a soprano voice to imitate a man he thought was following him on Eighth Avenue and said gays sometimes “put themselves in a situation where they know they’re taking chances.”

The judge turned down both his requests.

Crumpley died in a psychiatric hospital in 2015. Though the attack on the Ramrod is not well remembered outside of Greenwich Village, residents have never forgotten the event. Coming as it did shortly after the election of Ronald Reagan and a Republican takeover of the US Senate, the attack felt like an ominous harbinger of things to come. Eight months later the New York Times would report on the strange, “rare cancer” afflicting homosexual men.

The Ramrod closed permanently following the attack.

Ramrod – NYC LGBT Historic Sites Project
West Street '79 [includes Badlands, RamRod] - Leonard Fink — Google Arts &  Culture
Ramrod – NYC LGBT Historic Sites Project
One of the few existing pictures of the inside of the Ramrod

Gay History – July 25, 1979: “Cruising” Movie Shoot Protested By NYC’s Gay Community

For those of you too young to remember the movie Cruising it is a 1980 psychological thriller film directed by William Friedkin of The Exorcist fame and starring Al Pacino. The film is loosely based on the novel of the same name, by New York Times reporter Gerald Walker. It’s about a rookie NYPD cop that goes undercover to bait a homophobic serial killer in the leather and  S&M world of New York’s Greenwich Village.

The National Gay and Lesbian Task Force ( back when they actually had a task and did something ) in a letter to the New York Times wrote that “in the context of an anti-homosexual society, a film about violent, sex-obsessed gay men would be seen as a film about all gay people.  The psychosexual dynamic of Cruising is certainly questionable—deliberately so, to some extent—though in chalking up violent homoerotic impulses to unresolved daddy issues, the movie may be a greater insult to the intelligence of psychoanalysts than to the sensibilities of gays.”

The movie suffered a huge backlash from the LGBT community which did everything  it could to disrupt the movies filming in Greenwich Village and promotion in NYC.

Village Voice writer Arthur Bell was the person who raised a call for full out sabotage on the movie writing that Friedkin’s film “promises to be the most oppressive, ugly, bigoted look at homosexuality ever presented on the screen,” he wrote, “the worst possible nightmare of the most uptight straight. I implore readers . . . to give Friedkin and his production crew a terrible time if you spot them in your neighborhoods.”

Gay-owned businesses on Christopher Street barred the filmmakers from their premises. People attempted to interfere with shooting by pointing mirrors from rooftops to ruin lighting for scenes, blasting whistles and air horns near locations, and playing loud music. One thousand protesters marched through the East Village demanding the city withdraw support for the film to which Mayor (and famous closet case) Ed Koch responded, “Whether it is a group that seeks to make the gay life exciting or to make it negative, it’s not our job to look into that.”

Al Pacino who starred in the movie said that he understood the protests but insisted that upon reading the screenplay he never at any point felt that the film was anti-gay. He said that the leather bars were “just a fragment of the gay community, the same way the Mafia is a fragment of Italian-American life,” referring to The Godfather, and that he would “never want to do anything to harm the gay community”.

Friedkin asked noted gay author John Rechy, to screen Cruising just before its release. Rechy had written an essay defending Friedkin’s right to make the film, although not defending the film itself.  At Rechy’s suggestion, Friedkin deleted a scene showing the Gay Liberation Front slogan “We Are Everywhere” as graffiti on a wall just before the first body part is pulled from the river, and added a disclaimer:

“This film is not intended as an indictment of the homosexual world. It is set in one small segment of that world, which is not meant to be representative of the whole.”

Friedkin later claimed that it was the MPAA and United Artists that required the disclaimer, calling it “part of the dark bargain that was made to get the film released at all ” and  “a sop to organized gay rights groups”.   Friedkin also said that no one involved in making the film thought it would be considered as representative of the entire gay community, but the late great gay film historian Vito Russo disputed Fredkin claims citing the disclaimer as “an admission of guilt” writing  “What director would make such a statement if he truly believed that his film would not be taken to be representative of the whole?”

Now over 40 years later despite the movies content which by today’s standards seem schlocky and mediocre at best.  Snippets of Cruising are easily one the most graphic and true depiction of the NYC underground gay leather scene ever seen in a mainstream movie and is also in a way, a documentary of a time and places lost in history with background shots of the West Village and West Side highway that capture that period in time.

Locations like The Ramrod, The Anvil, Mineshaft, and the Eagle’s Nest (the latter two eventually barred Friedkin from the premises) have been gone for decades, but Cruising is a flashback to a time of  poppers, color-coded pocket hankies, hardcore discos, bathhouses, backrooms, park cruising and yes even Crisco.  It is a visual time capsule back to a part of our history that has been overshadowed by by the plague known as AIDS that would soon wreck havoc on the gay community in the years after the movie was released.

Like it or not the movie Crusing is a part of our history and reflects an era of images and memories that is slowly being lost forever.

Note: The exterior entrance of the club that Al Pacino enters into is actually the door to the infamous Mineshaft in NYC. (CLICK HERE to learn more about The Mineshaft.)  But as stated above Friedkin was barred from filming within the establishment.  The next shot of Pacino walking down the stairs was actually filmed at the Hellfire Club Sex Club in the triangle building  at 14th street which later would house J’s Hangout and home of the New York Jacks on 14th and  Hudson Street.

What now stands in its spot is the gentrified 675 Bar which is described as a “subdued lounge attempts to bring back some dignity to the Meatpacking District with pedigreed cocktails, and uncomplicated entertainment”  

If only the patrons of the 675 Bar ever knew.