Originally produced and broadcast by KQED for National Educational Television (NET) – the predecessor of WNET – and first aired on September 11th 1961, on KQED Ch.9. it includes discussions about sexual orientation from: Margaret Mead (anthropologist, pictured aboved); Dr. Karl Bowman (former President of the American Psychiatric Association); Harold Call, Donald Lucas and Les Fisher of the Mattachine Society;
“We think the swish, or the queen, represents a small minority within the homosexual grouping,” Call states. “These people in most cases are not even liked by their homosexual brethren because they have perhaps rejected themselves and they feel society has rejected them.”
Harold Call calls for a change in laws and restrictions that put the lives and livelihood of gay people in danger, while Lucas emphasized the number and ubiquity of homosexuals living in America, not just clustered within large cities.
But it’s Call’s closing remarks that resonate most deeply:
“The homosexual is no different than anyone else except perhaps in his choice of a love object. He desires the same kind of right to live his life freely and without interference, to pursue his happiness as a responsible citizen and to receive the benefits of constitutional rights, due process and protection of the law that all of us enjoy.”
The documentary also includes: San Francisco District Attorney Thomas Lynch; Dr. Erwin Braff (Director of San Francisco’s Bureau for Disease Control; Al Bendich; Mr J. Albert Hutchinson and Mr. Morris Lowenthal (who engage in debate); Bishop James Pike and Rabbi Alvin Fine.
This documentary was written by John Reavis Jr., produced by Reavis Jr. and Irving Saraf, directed by Dick Christian, with location photography by Philip Greene.
This copy of The Rejected was lost for many years and has been restored as much as it could. The Library of Congress states that there were several problems with the edited 2-inch quad videotape master. Many different tape stocks were used to create this program and the quality of these was often poor. The base of the tape is slippery at times, which causes an unstable control track. The stock was also physically heavy, which causes tension during take up. The audio quality is consistent throughout but there are three extended sequences – noted onscreen by subtitles – which feature bad picture quality. The Library’s Recording Laboratory remastered these 2-inch tapes onto digital.
You can watch The Rejected in its entirety here.