And it REALLY needs to be seen to be believed
Legendary American movie star and sex symbol Marlo Manners (Mae West) is in London, England, where she has just married for the sixth time. She and her new husband, Sir Michael Barrington (Timothy Dalton), then depart for a honeymoon suite at a posh and exclusive hotel that has been reserved for them by her manager, Dan Turner (Dom DeLuise).
The hotel is also the location of an international conference, where leaders have come together to resolve tensions and problems that threaten the survival of the world. As the chairman, Mr. Chambers (Walter Pidgeon) is trying to call the meeting to order, the delegates are crowding to the windows in an effort to catch a glimpse of Marlo when she arrives
As they enter the lobby, Marlo, now Lady Barrington, and her nobleman husband are swarmed by admirers and reporters. When asked, “Do you get a lot of proposals from your male fans?” she quips, “Yeah, and what they propose is nobody’s business.”
Once inside their suite, the couple are unable to go to bed and have sex because of constant interruptions due to the demands of her career, such as interviews, dress fittings and photo sessions, as well as the various men, including some former husbands, diplomat Alexei Andreyev Karansky (Tony Curtis), director Laslo Karolny (Ringo Starr), gangster Vance Norton (George Hamilton), and an entire athletic team from the U.S., who all want to have sex with her.
Meanwhile, Turner desperately searches for an audiotape containing his client’s memoirs, in order to destroy it. Marlo has recorded extensive details about her affairs and scandals, with a lot of dirt about her husbands and lovers. Ex-husband Alexei, who is the Russian delegate at the conference, threatens to derail the intense negotiations unless he can have another sexual encounter with her. Marlo is expected to work “undercover” to ensure world peace.
Also featured in cameos are Rona Barrett, Regis Philbin and George Raft playing themselves. West made her movie debut in Raft’s Night After Night (1932).